John Gilmore 1957 Recorded on March 3, 1957 at the Van Gelder Studio, Hackensack, New Jersey Stock Photo - Alamy
From G-strings to Grammy winners
Rudy Van Gelder | New Jersey Jazz Revolution | Cultural Conversation by Marc Myers - WSJ
Rudy Van Gelder Studio | Facebook
N.J. jazz giant Rudy Van Gelder, who recorded John Coltrane, Miles Davis, dead at 91 - nj.com
Van Gelder Studio – Englewood Cliffs, New Jersey - Atlas Obscura
Recording Genius + Soul = Jazz at the Van Gelder Studios in Englewood Cliffs (NJ) on 26 or 27 Decmber 1960. Ray Charles here on the Hammond C3 organ prepared b…
Planning for the Future of Van Gelder Studio - JazzTimes
Architekt Music Academy / Butler & Glen Rock, New Jersey
Shorefire Recording Studios
A Renaissance for Rudy Van Gelder's Studio - Mixonline
Jazz at the Cliffside: The Studios of Rudy Van Gelder — Dewar MacLeod
In Its Own Time: Remembering the Miles Davis Quintet of 1955-1956
Van Gelder Studio Project
Rudy Van Gelder: Recording Coltrane, Miles, Monk, etc. | Tape Op Magazine | Longform candid interviews with music producers and audio engineers covering mixing, mastering, recording and music production.
ryu on Twitter: "Elvin Jones, Jimmy Garrison & Art Davis, John Coltrane's album “Ascension” session at Van Gelder Recording Studio, Englewood Cliffs, New Jersey, 1965. #Jazz https://t.co/v8U5z8zsPR" / Twitter
Art Farmer at Rudy Van Gelder's Recording Studios - Art Farmer
Postscript: Rudy Van Gelder (1924-2016), Modern Jazz's Listener of Genius | The New Yorker
Van Gelder Studio, Hackensack, New Jersey Label | Releases | Discogs
Van Gelder Studio And The Blue Note Sound | uDiscover
Rudy Van Gelder's Studio in Englewood NJ Shaped the Sound of Modern Jazz | The Music Origins Project
New Series “Live From Rudy Van Gelder's Studio” (first session 14 November) – London Jazz News
Van Gelder Studio – Englewood Cliffs, New Jersey - Atlas Obscura
Plotting the Future of the Most Storied Studio in Jazz - The New York Times
Rudy Van Gelder, Definitive Jazz Recording Engineer, Has Died : NPR
Plotting the Future of the Most Storied Studio in Jazz - The New York Times
